Thursday, November 17, 2011

Bangkok Dangerous (Single-Disc Edition)

  • Used - Like New

Genre: Action/Adventure
Rating: R
Release Date: 6-JAN-2009
Media Type: DVDAn adrenaline-charged action thriller, Lionsgate's Bangkok Dangerous stars Nicolas Cage (Leaving Las Vegas, National Treasure) as "Joe," an anonymous assassin takes an unexpected turn when he travels to Thailand to complete a series of contract killings. Joe (Nicolas Cage), a remorseless hitman, is in Bangkok to execute four enemies of a ruthless crime boss named Surat. He hires Kong (Shahkrit Yamnarm), a street punk and pickpocket, to run errands for him with the intention of covering his tracks by killing him at the end of the assignment. Strangely, Joe, the ultimate lone wolf, finds himself mentoring the young man instead whilst simultaneously being drawn into a tentative romance with a local shop girl. As he falls further under the sway of Ban! gkok’s intoxicating beauty, Joe begins to question his isolated existence and let down his guard …just as Surat decides it’s time to clean house. Directors The Pang Brothers (The Eye) paint an explosive picture of the Bangkok underworld, illuminated with neon and saturated in violence. From a screenplay by Jason Richman, Bangkok Dangerous is based on the Pang Brothers’ wildly popular Hong Kong action film of the same name. Starring alongside Cage are Shahkrit Yamnarm (Belly of the Beast), Charlie Young (Seven Swords), Panward Hemmanee and Dom Hetrakul (Sniper 3). The film is produced by Jason Shuman, William Sherak, Nicolas Cage and Norm Golightly. Andrew Pfeffer, Derek Dauchy, Denis O’Sullivan and Ben Waisbren serve as the executive producers.

Beyond Bangkok Dangerous on DVD


Bangkok Dangerous the Soundtrack

Bangkok Dangerous on Blu-ray

Glory Road (Widescreen Edition)

  • Very Black
The studio that brought you REMEMBER THE TITANS now delivers another winner with this exciting and inspirational true story of the team that changed college basketball -- and the nation -- forever! Josh Lucas (SWEET HOME ALABAMA) stars as future Hall of Fame coach Don Haskins of tiny Texas Western University, who bucks convention by simply starting the best players he can find: history's first all-African American lineup. In a turbulent time of social and political change, their unlikely success sends shock waves through the sport that follow the underdog Miners all the way to an epic showdown with all-white, #1 ranked Kentucky for the National Championship!One of the greatest basketball games in NCAA history is immortalized in Glory Road, an engaging sports movie that dramatizes a pivotal milestone in the racial integration of college athletics. While it may not be as rousi! ng as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typically wholesome Disney film doesn't flinch from the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (under heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach! Adolph Rupp, whose favored all-white team was no match for Te! xas West ern, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon

DANNY DECKCHAIR ORIGINAL MOVIE POSTER

  • SINGLE-SIDED REGULAR 27X41 NEW
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
DANNY DECKCHAIR - DVD MovieIn the laugh-filled tradition of THE FULL MONTY, THE CASTLE is a hilarious comedy treat critics hailed as one of the year's funniest movies! Even though there's an airport practically running through their backyard, the eccentric Kerrigan clan loves their humble home. But when the airfield needs room to expand, the government says that the Kerrigans have to go! With an irresistable charm and irrepressible humor everyone is sure to enjoy, the hilarity then really takes flight when this funny family decides to stay and fight for their beloved "castle" ... no matter how far the conflict goes!The title of The Castle refers to a ramshackle suburban tract house so close t! o an airport that planes fly mere yards above the roof. Worse than that, it's built on a toxic landfill and right beside humming high-power lines. But to patriarch Darryl Kerrigan (Michael Caton) and his dim-witted but cheerful brood it's home. Darryl has devoted himself to constantly improving it with modifications like a false chimney that, as he brags to a man sent to estimate the value of the property, makes the house look more picturesque. When the owners of the airport serve Darryl notice that his home is being compulsorily purchased, Darryl hires a small-time lawyer and pursues his case all the way to the Australian Supreme Court. This Australian box-office smash wasn't as successful as The Full Monty in American theaters, but it has something of the same buoyant spirit. The Castle actually plays better on the small screen; its relationship with its characters is much like the farcical intimacy of classic British sitcoms like Fawlty Towers, in wh! ich crazed behavior is balanced by the genuine warmth of the w! hole cas t. Caton in particular is a sweet, engaging presence; Darryl Kerrigan is a fool, but a fool with dignity, and he carries you through the movie. --Bret FetzerPRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Crazy Love DVD Study Resource

  • ISBN13: 9781434766274
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Steve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made! over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared sing! le guy. Enter Jacob (Gosling, who's never been better) as a ha! ppy bach elor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us ! crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). ! Crazy, Stupid, Love is a romantic comedy with a big heart-! -a refre shing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young wom! an who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school swe! etheart, Emily (Julianne Moore). So when Cal learns that his w! ife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly che! mistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a! class of its own. Moore is more than just the weary, accusato! ry negle cted wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. Hurley

It's crazy, if you think about it. The God of the universe loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss. God is calling you to a passionate love relationship with Himself. Because the answer to religious complacency isn't working harder at a list of do's and don'tsâ€"it's falling in love with God.

The Crazy Love Study Resource helps you and your small group to dive deeper into God's love. A companion to the be! st-selling Crazy Love book, by pastor Francis Chan, this 10-week study follows a day-in-the-life of Francis in the form of ten, 10-minute segments that correspond to each chapter of Crazy Love.  These thought-provoking teachings are designed spark discussion, interaction, and practical application of the Crazy Love message with small groups, churches, youth groups, and individuals.

DVD includes:

  • Ten teaching segments with questions for small group discussion.
  • Printable Small Group Study Guide.
  • Behind-the-scenes footage and outtakes

Debt Payoff Planner

  • Creates custom payment plan based on your criteria
  • Offers simple and advanced modes
  • Allows you to export data via e-mail
Academy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starring Sam Worthington, Jessica Chastain and Ciarán Hinds, it's the film critics call "an intelligent thriller with superb performances." (USA Today) Starring: Helen Mirren, Sam Worthington, Jessica Chastain, Jesper Christensen,! Marton Csokas, Ciaran Hinds, Tom Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War scenes that take hold of the viewer. Jesper Christensen (as the Nazi) invests his conversations with Chastain and Worthington with silky insinuation and t! aunting contempt, building a devastating suspense. Fans accust! omed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret Fetzer[Siren Classic: Erotic BDSM Romance, suspense, sex toys] At twenty-eight, Maddie James has risen through the ranks of investment bank Goldstein Rivers to achieve great success. All of that changes when she receives a demand for half a million dollars for the safe return of her sister. Torn between her allegiance to her job and the demands of the kidnappers, she secretly wires the money, hoping to replace it with the sale of her house. When thirty-six-year-old wealthy businessman Keaton Rivers discovers the money is missing from his company, he suspects Maddie. Will he throw ! her to the wolves or find another way for her to repay the debt? As a Dom, Keaton knows Maddie would make the perfect submissive. From the very first moment he laid eyes on her, he’d wanted her. Only this time it will be on his terms... To save her career, will Maddie make a deal with the Dom? Note: This book contains anal sex. ** A Siren Erotic Romance[Siren Classic: Erotic BDSM Romance, suspense, sex toys] At twenty-eight, Maddie James has risen through the ranks of investment bank Goldstein Rivers to achieve great success. All of that changes when she receives a demand for half a million dollars for the safe return of her sister. Torn between her allegiance to her job and the demands of the kidnappers, she secretly wires the money, hoping to replace it with the sale of her house. When thirty-six-year-old wealthy businessman Keaton Rivers discovers the money is missing from his company, he suspects Maddie. Will he throw her to the wolves or find another way for her to r! epay the debt? As a Dom, Keaton knows Maddie would make the pe! rfect su bmissive. From the very first moment he laid eyes on her, he’d wanted her. Only this time it will be on his terms... To save her career, will Maddie make a deal with the Dom? Note: This book contains anal sex. ** A Siren Erotic RomanceBefore there was money, there was debt

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and credito! rs.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.Before there was money, there was debt

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systemsâ€"to relieve a! ncient people from having to haul their goods to market. The p! roblem w ith this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without ! knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.

Gerber Knives 0201 Descent II Linerlock Knife with Black Titanium Nitride Coated Aluminum Open Frame Design

  • Overall length: 7.5"
  • Closed length: 4.65". Blade length: 3".
  • Open-frame lock mechansim
  • Black titanium PVD coating
  • Attachable carabiner clip

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mountains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mou! ntains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

Devon Crawford is an officer; Air Force Pararescueman Cam Munro is enlisted. Dev flies medical evacuations; Cam jumps into danger zones to save lives. Dev wants to return home from Afghanistan with her heart untouched; Cam will do anything to win the woman he loves.

Reaching for happiness in a war zone is the last thing Captain Devon Crawford plans, but she can't ignore the feelings she's hidden for so long. Cam's sexy charm and wicked kisses weaken her resistance, b! ut she's too afraid of losing him to give in.

When Dev'! s helico pter and crew are shot down and set up as bait by a notorious warlord, Cam risks all to save the team. What he doesn't know is that the trap is set for him*#133;.

83,000 words

Devon Crawford is an officer; Air Force Pararescueman Cam Munro is enlisted. Dev flies medical evacuations; Cam jumps into danger zones to save lives. Dev wants to return home from Afghanistan with her heart untouched; Cam will do anything to win the woman he loves.

Reaching for happiness in a war zone is the last thing Captain Devon Crawford plans, but she can't ignore the feelings she's hidden for so long. Cam's sexy charm and wicked kisses weaken her resistance, but she's too afraid of losing him to give in.

When Dev's helicopter and crew are shot down and set up as bait by a notorious warlord, Cam risks all to save the team. What he doesn't know is that the trap is set for him*#133;.

83,000 words

Gerber Knives - Descent II Linerlock Knife with ! Black Titanium Nitride Coated Aluminum Open Frame Design. Model: G0201. 4 5/8" closed linerlock. 2 7/8" stainless black titanium nitride coated blade with dual thumb studs. Black titanium nitride coated aluminum open frame design. Integrated carabiner clip. Black stainless pocket clip. Boxed."

Catch a Fire: The Life of Bob Marley

  • ISBN13: 9780805080865
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The classic biography of reggae legend Bob Marley, updated and revised for the twenty-fifth anniversary of his death

Bob Marley left an indelible mark on modern music, both as a reggae pioneer and as an enduring cultural icon. Catch a Fire, now a classic of rock biography, delves into the life of the leader of a musical, spiritual, and political explosion that continues today.

Under the supervision of the author's widow and with the collaboration of a Marley expert, this fourth edition contains a wealth of new material, including many revisions made by the author before his untimely death. An appendix to the new edition chronicles Marley's legacy in recent years,! as well as the ongoing controversy over the possibility that Marley's remains might be exhumed from Nine Mile, Jamaica, and reburied in Addis Ababa, Ethiopia, where hundreds of Rastafarians live. The new edition also contains an expanded discography and is factually updated throughout.

"Probably the finest biography ever written about a popular musician."
--San Francisco Chronicle

"As close as rock journalism comes to transcendent literature."
--Playboy

"White has a deep appreciation for reggae's immediacy, hypnotic power, and contradictions . . . An exhaustively researched labor of love."
--Chicago Sun-Times

Bob Marley, reggae superstar and pop culture icon, left an indelible mark on modern music. Catch a Fire: The Life of Bob Marley delves deep into the life of the lionized leader of a musical, spiritual, and political explosion that still reverberates more than a decade a! fter his death. Almost nothing pertaining to the life of Bob! Marley is left out; the origins of Rastafarianism (the Ethiopian religion that was the keystone of his life), the roots of the reggae sound, the Jamaican political and social debacle that informed his lyrics--this is a comprehensive account of the life of the artist and the times that produced him.

Catch a Fire is assiduously researched; the details writer Timothy White presents of the King of Reggae's life are cinematic in scope and, at times, cumbersome. White includes much of his primary source material, ranging from full interviews with band members to unearthed CIA documents, and devotes a whole section to describing his exhaustive research process. The final product is rich with elements of spiritual tome, rock biography, and history text; it is a hagiographic epic--the story of a man and his legend. --Brendan J. LaSalle

Crank 2 : High Voltage : Widescreen Edition

  • Widescreen
You can’t keep a good man down. Jason Statham is back as Chev Chelios â€" this time to retrieve his stolen heart (that’s right, he’s running on battery power). High-octane and truly electrifying!

The critics have not been very kind to Crank: High Voltage. But what do they know? Here’s what this movie has going for it: gratuitous nudity, mindless violence, constant profanity, and a ridiculous storyline. Add to that stereotypes galore (gay, Asian, Latino, the neuropsychiatrically disabled, you name it), strippers with guns, a strike by porn actors (with a cameo appearance by Ron Jeremy! ), and a guy who refers to his heart as a "strawberry tart," and one can only wonder what’s not to like. In fact, writer-director-producers Mark Neveldine and Brian Taylor’s sequel to 2006’s Crank is an absolute hoot, a non-stop assault of crazy sights and sounds that will leave you breathless and laughing. As the action starts, Jason Statham’s Chev Chelios has not only survived the fall from a helicopter that ended the earlier film, but is now on the operating table, awake and watching as some Chinese villains harvest his "tart" in order to implant it in their aging leader (a wacky turn by David Carradine). Chev quickly dispatches the bad guys, but the fun’s just starting; the mechanical ticker they’ve put inside him needs constant recharging, so as Chev pursues the real organ, he must use whatever’s available (jumper cables, a police taser, a car cigarette lighter, high voltage power lines) to keep the fake one going. Storywise, that’s ab! out it. But it’s plenty, as the filmmakers’ ultra-kinetic ! style--w ith its manic edits, cartoony subtitles, and other envelope-stretching effects--and amusing performances by Amy Smart (as Chev’s girlfriend), Dwight Yoakam (as a "doctor" who helps him figure out what’s happening), and others keep things going. No, Crank: High Voltage ain’t exactly Masterpiece Theater, but this is without a doubt one of 2009’s most entertaining films. --Sam Graham

You can’t keep a good man down. Jason Statham is back as Chev Chelios â€" this time to retrieve his stolen heart (that’s right, he’s running on battery power). High-octane and truly electrifying!The critics have not been very kind to Crank: High Voltage. But what do they know? Here’s what this movie has going for it: gratuitous nudity, mindless violence, constant profanity, and a ridiculous storyline. Add to that stereotypes galore (gay, Asian, Latino, the neuropsychiatrically disabled, you name it), strippers with guns, a strike by porn actors (with a cameo appearance by Ron Jeremy), and a guy who refers to his ! heart as a "strawberry tart," and one can only wonder what’s! not< /I> to like. In fact, writer-director-producers Mark Neveldine and Brian Taylor’s sequel to 2006’s Crank is an absolute hoot, a non-stop assault of crazy sights and sounds that will leave you breathless and laughing. As the action starts, Jason Statham’s Chev Chelios has not only survived the fall from a helicopter that ended the earlier film, but is now on the operating table, awake and watching as some Chinese villains harvest his "tart" in order to implant it in their aging leader (a wacky turn by David Carradine). Chev quickly dispatches the bad guys, but the fun’s just starting; the mechanical ticker they’ve put inside him needs constant recharging, so as Chev pursues the real organ, he must use whatever’s available (jumper cables, a police taser, a car cigarette lighter, high voltage power lines) to keep the fake one going. Storywise, that’s about it. But it’s plenty, as the filmmakers’ ultra-kinetic style--with its manic edits, cartoony subtit! les, and other envelope-stretching effects--and amusing performances by Amy Smart (as Chev’s girlfriend), Dwight Yoakam (as a "doctor" who helps him figure out what’s happening), and others keep things going. No, Crank: High Voltage ain’t exactly Masterpiece Theater, but this is without a doubt one of 2009’s most entertaining films. --Sam GrahamThe critics have not been very kind to Crank: High Voltage. But what do they know? Here's what this movie has going for it: gratuitous nudity, mindless violence, constant profanity, and a ridiculous storyline. Add to that stereotypes galore (gay, Asian, Latino, the neuropsychiatrically disabled, you name it), strippers with guns, a strike by porn actors (with a cameo appearance by Ron Jeremy), and a guy who refers to his heart as a "strawberry tart," and one can only wonder what's not to like. In fact, writer-director-producers Mark Neveldine and Brian Taylor's sequel to 2006's Crank is an absolute hoot, ! a non-stop assault of crazy sights and sounds that will leave ! you brea thless and laughing. As the action starts, Jason Statham's Chev Chelios has not only survived the fall from a helicopter that ended the earlier film, but is now on the operating table, awake and watching as some Chinese villains harvest his "tart" in order to implant it in their aging leader (a wacky turn by David Carradine). Chev quickly dispatches the bad guys, but the fun's just starting; the mechanical ticker they've put inside him needs constant recharging, so as Chev pursues the real organ, he must use whatever's available (jumper cables, a police taser, a car cigarette lighter, high voltage power lines) to keep the fake one going. Storywise, that's about it. But it's plenty, as the filmmakers' ultra-kinetic style--with its manic edits, cartoony subtitles, and other envelope-stretching effects--and amusing performances by Amy Smart (as Chev's girlfriend), Dwight Yoakam (as a "doctor" who helps him figure out what's happening), and others keep things going. No, Crank: H! igh Voltage ain't exactly Masterpiece Theater, but this is without a doubt one of 2009's most entertaining films.

Flame and Citron Poster Movie B 11x17 Thure Lindhardt Mads Mikkelsen

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Flame and Citron 11 x 17 Inches Style B Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Based On Actual Events
 
Copenhagen, 1944: As the Nazi occupation of Denmark rages, two Resistance fighters a young idealist codenamed Flame (Thure Lindhardt of INTO THE WILD) and tense family man Citron (Mads Mikkelsen of CASINO ROYALE) become the underground s most proficient killers of collaborators and sympathizers. The SS is hunting them. They trust only each other. But in a time where fear and mercy must live in the shadows, will a mysterious woman and a new assignment to assassinate the head of the Gestapo lead them to the deadliest places of a! ll? Christian Berkel (DOWNFALL) co-stars in this white-knuckle noir thriller based on the Holger Danske s most infamous agents from co-writer/director Ole Christian Madsen that critics worldwide hail as an explosive saga of justice, vengeance and the moral complexities of true heroism.

A taut, handsome production, Roger Ebert, Chicago Sun-TimesUK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and thus not viewable on US PS3/Standard BR players. The main feature is fully viewable on all players though.

Copenhagen 1944. While the Danish population hopes for a swift end to the war, freedom fighters Bent Faurschou-Hviid, a.k.a. Flame and Jørgen Haagen Schmith, a.k.a. Citron, secretly put their lives at stake fighting for the Holger Danske resistance group. The fearless and uncompromising Flame is a confirmed anti-fascist and dreams of the day when the group will assemble and openly launch an armed counterattack at the! occupying power. The more sensitive family man, Citron, used ! to work primarily as a driver for Flame, but now finds himself becoming more deeply involved in the group s work. When their immediate superior, Aksel Winther, orders them into action against two German Abwehr officers, events start to get out of hand. Flame engages in conversation with the talented and intelligent Colonel Gilbert and for first time, Flame calls the soundness of the order he is about to execute into question...Something feels terribly wrong. Furthermore, when suspicion turns to his girlfriend, the beautiful and mysterious courier, Ketty, Flame begins to spot the outline of a different and mostly hidden agenda. Can Ketty be trusted? Can Winther? And who really works for whom? While their doubts gnaw at them, Flame and Citron come to feel that they are on shaky ground. Desperate, disillusioned and with a sense of having been betrayed by their superiors, they decide only to trust each other and concentrate their efforts on getting to the much hated and feared chief of ! the Gestapo, Hoffmann. The film is based on actual events and eyewitness accounts from some of the people who experienced Bent Faurschou-Hviid and Jørgen Haagen Schmith at very close range.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Copenhagen in popular culture, Copenhagen in fiction, and Films set in Copenhagen.Flame and Citron reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print

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