- Fastening up pens or drawing supplies
- Suspending excess cords from shelving
- Hanging a bottle from a baby stroller
- Hanging sunglasses from a rearview mirror
- Tying up jewelry
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 3-JUN-2003
Media Type: DVDChemistry and quirkiness--and a stellar cast--help make Barry Levinson's Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, ! son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by Twin Peaks alumnus Harley Peyton, Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpected tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives Bandits the extra kick it needs. --Jeff ShannonFour tough women in a German penitentiary join forces to form a rock band. When administrators take them to perform at a policeman's ball, the prisoners escape, kidnapping a convenient boy-toy hostage (Werner Schreyer), along the way. Their band, Bandits, becomes a national sensation as the women continue to evade the police. The movie is ! a wild ride, with quite a respectable score of rock songs--som! e catchy , some haunting--composed and performed by Bandits members themselves. All are sung in English (which seems to be the universal language of rock & roll). But although the picture is a lot of fun, it's no Spice World; there's a harder edge, a deeper agenda here. These women were all prisoners for a reason. Each fugitive's story is gradually revealed as the plot progresses. Luna (sultry Jasmin Tabatabai), the lead singer and guitarist, is a loose canon with a real attitude problem. And she likes to rob banks. Emma (Katja Riemann), the brains of the group, had a successful jazz career in America before her abusive boyfriend drove her over the edge. Marie (Jutta Hoffmann), the band's middle-aged keyboard player, is suicidal: something to do with her involvement in her husband's death. Angel (lovely Nicolette Krebitz), is the team's weak link; she can't be trusted. As the Bandits pull off each increasingly improbable narrow escape, the film takes on the radiance of m! yth, ascending ultimately to an apocalyptic finale. --Laura MirskyBack in print, the groundbreaking classic on robber-rebels from "the best known living historian in the world" (The Times [London]). First published in 1969, the now-classic Bandits inspired a whole new field of historical study and brought its author popular acclaim. Bandits transcend the label of criminals; they are robbers and outlaws elevated to the status of avengers and champions of social justice. Some, like Robin Hood, Rob Roy, and Jesse James, are famous throughout the world, the stuff of story and myth. Others, from Balkan haiduks and Indian dacoits to Brazilian congaceiros, are known only to their own countries' people. In his celebrated study of these fascinating figures, now updated with a new introduction, Eric Hobsbawm, "one of the few genuinely great historians of our century," according to the New Republic, spans four hundred years and four con! tinents, setting these folk heroes against the ballads, legend! s, and f ilms they have inspired. The result is "a dazzling historical squib, fizzing with ideas and strange stories" (The Guardian).Chemistry and quirkiness--and a stellar cast--help make Barry Levinson's Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by Twin Peaks alumnus Harley Peyton, Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpec! ted tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives Bandits the extra kick it needs. --Jeff Shannon