Like Stars on Earth (Two Disc DVD + CD)

• LIKE STARS ON EARTH TAARE ZAMEEN PAR (DVD MOVIE)

Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after a reckless car race destroys a roadside diner, Kelley finds himself sentenced to a summer of manual labor in a small town. That's where he meets and falls in love with Samantha, a girl from the other side of the tracks. But everything changes when Samantha's long-time boyfriend Jasper (Josh Hartnett, "The Faculty") uncovers their secret romance. This "sweet and romantic" (YM Magazine) tale of first love will capture your heart.Slumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages th! e testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could m! ake the changes he does, or that his and Sobieski's characters! could e ver really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay

The bestselling author of Turtle Moon and Practical Magic tells her most seductive and mesmerizing tale yet--the story of March Murray, who returns to her small Massachusetts hometown after nineteen years, encountering her childhood sweetheart...and discovering the heartbreaking and complex truth about their reckless and romantic love.

In this first-rate "tape turner" Hoffman once again proves her powers as a storyteller. Dialogue rings remarkably true in this reading by Susan Ericksen, which also brings out the incisive details and keen observations on nature, both human and otherwise, that Hoffman carefully deploys in this masterful narrative.

When March! Murray travels East with her teenage daughter to attend the funeral of the beloved housekeeper who looked after her when she was growing up, March's past comes rushing up to meet her. The present is quickly dominated by the lurking presence of her former lover, Hollis, who has patiently awaited her long overdue return. The tale is populated by those for whom love brings more sorrow than happiness: a woman afraid to commit to a relationship, a husband in love with someone other than his wife, two young people who fall for each other only to find they are close relatives, and the self-destructing love of Hollis and March. While love has the power to transform those who fall under its spell--devotion to an old racehorse turns March's daughter, a sullen teenager, into a strong young woman--the love March herself suffers robs her of nearly all sense and goodness. Hoffman deftly weaves her characters' stories against a vivid New England landscape where the past always has a gri! p on the present. And the listener is left at the end both sat! isfied a nd longing to hear more. --Anne DepueChris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But afterSlumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha cont! racts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay

Beginning at the moment of creation with the Big Bang, Here on Earth explores the evolution of Earth from a galactic cloud of dust and gas to ! a planet with a metallic core and early signs of life within a! billion years of being created. In a compelling narrative, Flannery describes the formation of the Earth’s crust and atmosphere, as well as the transformation of the planet’s oceans from toxic brews of metals (such as iron, copper, and lead) to life-sustaining bodies covering 70 percent of the planet’s surface. Life, Flannery shows, first appeared in these oceans in the form of microscopic plants and bacteria, and these metals served as catalysts for the earliest biological processes known to exist. From this starting point, Flannery tells the fascinating story of the evolution of our own species, exploring several early human species—from the diminutive creatures (the famed hobbits) who lived in Africa around two million years ago to Homo erectus—before turning his attention to Homo sapiens. Drawing on Charles Darwin’s and Alfred Russell Wallace’s theories of evolution and Lovelock’s Gaia hypothesis, Here on Earth is a dazzling account of ! life on our planet.

The bestselling author of Turtle Moon and Practical Magic tells her most seductive and mesmerizing tale yet--the story of March Murray, who returns to her small Massachusetts hometown after nineteen years, encountering her childhood sweetheart...and discovering the heartbreaking and complex truth about their reckless and romantic love.In this first-rate "tape turner" Hoffman once again proves her powers as a storyteller. Dialogue rings remarkably true in this reading by Susan Ericksen, which also brings out the incisive details and keen observations on nature, both human and otherwise, that Hoffman carefully deploys in this masterful narrative.

When March Murray travels East with her teenage daughter to attend the funeral of the beloved housekeeper who looked after her when she was growing up, March's past comes rushing up to meet her. The present is quickly dominated by the lurking presence of her former lover, Hollis, who has patiently awaited ! her long overdue return. The tale is populated by those for wh! om love brings more sorrow than happiness: a woman afraid to commit to a relationship, a husband in love with someone other than his wife, two young people who fall for each other only to find they are close relatives, and the self-destructing love of Hollis and March. While love has the power to transform those who fall under its spell--devotion to an old racehorse turns March's daughter, a sullen teenager, into a strong young woman--the love March herself suffers robs her of nearly all sense and goodness. Hoffman deftly weaves her characters' stories against a vivid New England landscape where the past always has a grip on the present. And the listener is left at the end both satisfied and longing to hear more. --Anne DepueThe bestselling author of Turtle Moon and Practical Magic tells her most seductive and mesmerizing tale yet--the story of March Murray, who returns to her small Massachusetts hometown after nineteen years, encountering her childhood sweetheart...and disc! overing the heartbreaking and complex truth about their reckless and romantic love.All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.Slumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to ! emphasize the strength of the characters' love. You don't know! what yo u got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim GayIshaan Awasthi (Darsheel Safary) is an eight-year-old whose world is filled with wonders that no one else seems to appreciate; colors, fish, dogs and kites are just not important in the world of adults, who are much more interested in things like homework, marks, and neatness. And Ishaan just cannot seem to get anything right in class. When he ! gets into far more trouble than his parents can handle, he is packed off to boarding school to be disciplined. Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family. One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh (Aamir Khan), who infects the students with joy and optimism. He breaks all the rules of how things are done by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan. Nikumbh soon realizes that Ishaan is very unhappy, and he sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

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