Memories of Murder

• When women start turning up dead in a small town in South Korea in 1987, two reluctantly-partnered cops resolved to bring him to justice. But it was a very different world then, and without DNA testing or modern forensics, the investigators are forced to rely mainly on intuition and brute force. This film is a riveting tale of a mysterious killer and the ceaseless pressure on those charged with st

Based on the true story of South Korea’s first serial killer. When women start turning up dead in a small town in S. Korea in 1986, two reluctantly-partnered cops resolve to bring him to justice. Without DNA testing or modern forensics, the investigators are forced to rely mainly on intuition and brute force. At times both touching and hilarious, MEMORIES OF MURDER is a riveting tale of a mysterious killer and the ceaseless pressure on those charged with stopping his rampage.A South Korean thri! ller based on a true story, Memories of Murder comes across like a hybrid of Silence of the Lambs and One False Move. A pair of rural detectives, Park (Song Kang-ho) and Jo (Kim Roe-ha), chafe when a Seoul detective named Seo (Kim Sang-kyung) gets involved in their big case: Korea's first known serial killer, who's killed two women on rainy nights. Seo is dismayed by the rural cops' interrogation methods, which consist of beating suspects until they confess--and they aren't above planting evidence or "helping" a suspect remember the details of his crime. While Park and Jo seek clues from fortune tellers and magic charms, Seo struggles to build a case from hard evidence and the forensic approaches only just starting to take hold (the movie is set in 1986). Shots of the victims and jolting moments of violence give Memories of Murder a dose of gruesomeness, but the movie has more on its mind that exploitation. Visually stylish and psychologically a! stute, Memories of Murder is as much a portrait of cult! ural cha nge as a serial killer mystery. --Bret Fetzer

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Koena Mitra Bollywood Canvas Art Canvas Print Picture print Size: (40" x 26")

• Size:40" x 26" (100cm x 65 cm Approx)
• Framed on a 40mm (4cm) Chunky Canvas Stretcher Frame
• Lifetime Fade Resistant - Printed Using the Highest 12 Colour Canon Printers
• Printed on the highest quality canvas with self tensioning frame wedges
• Produced by the UK's largest supplier. Shipped to you with 48 - 72hours

The above product is a FRAMED CANVAS meaning it comes ready stretched on a canvas stretcher bar frame. All you need to do is take it out the box, hang it on your wall stand back and admire! We are a specialist Canvas Printing company who now also manufacture and produce Perspex printed mounts. Over the last 6 years we have grown to become the UK's largest seller of Printed Canvas Art. This year alone we have already shipped out in the region of 168,000 canvas prints. We operate from a fully equipped 6000sqft art studio based in London (UK). All our canva! s prints are printed on the highest quality canon canvas printing machines and are hand stretched by our professional 12 man stretching team. All items are made to order and nothing is bulk created and stored away. We have all our raw materials such as canvas, stretcher bars and packaging specially manufactured for us. We pride ourselves on the highest of quality and customer services. If you have any questions related to this product or any of our services feel free to contact the Canvas101 team. DON'T BE PUT OF ORDERING; if you're ordering from the USA or CANADA please don't be put of ordering just because we are on the other side of the country. We have teamed up with world leaders FEDEX and are now able to get a parcel from the UK to the USA within 48-72 of you placing your order. We have also been known to ship good to the USA within 24 hours before. In order to make ordering as easy as we can we have also set up a US based telephone support number ( 16467701959 ) whic! h is available from 8.00am - 6.00pm (GMT)

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Marigold

• In a "bouncy Bollywood meets Hollywood romantic comedy" (BBC Films), Ali Larter stars as feisty B-list actress Marigold Lexton, who, stranded and broke in Goa, India, after financing flops on her low-budget film, lands a role in a musical to pay her way home. Eager to prove herself, she seeks famed choreographer Prem Rajput's (Bollywood superstar Salman Khan) guidance, and a whirlwind romance begi

Marvel Comics is gearing up for a big Ultimate Universe winter with the release of the Ultimate Marvel Free Sampler. The special is a sneak peek for upcoming titles, including December's Ultimates 3 #1 and January's Ultimate Iron Man II #1 and Ultimate Human #1. But it's what these titles are leading up to that might be of new interest to Marvel followers!

We've all heard of the Big Bang, and yet few of us truly know what it is.

Renowned for making difficult ideas much less difficult than t! hey might first appear, Simon Singh is our perfect guide to explaining why cosmologists believe that the Big Bang is an accurate description of the origin and evolution of the universe.

This highly readable and entertaining book tells the story of the many brilliant, often eccentric scientists who fought against the establishment idea of an eternal and unchanging cosmos. From such early Greek cosmologists as Anaximander to recent satellite measurements taken deep in space, Big Bang is a narrative full of anecdotes and personal histories. With characteristic clarity, Simon Singh tells the centuries-long story of mankind's attempt to understand how the universe came to be, a story which itself begins some 14 billion years ago (give or take a billion years). Simon Singh shows us that it is within the capability of all of us -- in his expert hands -- to understand the Big Bang: the fundamental theory in all of science, and a high point -- perhaps the high point --! of human achievement.

A baffling array of science books cl! aim to r eveal how the mysteries of the universe have been discovered, but Simon Singh's Big Bang actually delivers on that promise. General readers will find it to be among the very best books dealing with cosmology, because Singh follows the same plan he used in his brilliant Code Book: he puts people--not equations--first in the story. By linking the progression of the Big Bang theory with the scientists who built it up bit by bit, Singh also uncovers an important truth about how such ideas grow.

Death is an essential element in the progress of science, since it takes care of conservative scientists of a previous generation reluctant to let go of an old, fallacious theory and embrace a new and accurate one.

As harsh as this statement seems, even Einstein defended an outmoded idea about the universe when an unknown interloper published equations challenging the great man. Einstein didn't have to die for cosmology to move forward (he reluctan! tly apologized for being wrong), but stories like this one show how difficult it can sometimes be for new theories to take root. Fred Hoyle, who coined the term "big bang" as a way to ridicule the idea of a universe expanding from some tiny origin point, strongly believed that the cosmos was in a steady state. But Singh shows how Hoyle's research, meant to prove the contrary, added evidence to the expansion model. Big Bang is also a history of astronomical observation, describing the development of new telescopes that were crucial to the development of cosmology. Handwritten summary notes at the end of each long chapter add a charming, classroom feel to this revealing and very readable book. --Therese LittletonStarring: Naseeruddin Shah, Dimple Kapadia, Saif Ali Khan, Boman IraniSynopsis:Being Cyrus is Saif Ali Khan's next film after the hugely successful 'Salaam Namaste' and 'Parineeta' and marks his debut in English language cinema, revealing his versatility! and ability to break the usual mould. The film revolves aroun! d the ra ther dysfunctional Sethna family and swings between Panchgani, a small hill station where retired sculptor Dinshaw Sethna (Naseerudin Shah) lives in relative isolation with his wife (Dimple Kapadia) and an old dilapidated building in Bombay where the other Sethnas, played by Boman Irani and Simone Singh, live. One day Dinshaw opens his house to a stranger, Cyrus (Saif Ali Khan), who gratefully accepts his invitation but as Cyrus befriends the family all the previously hidden cracks begin to open.

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Being Cyrus revolves around the relationships of a dysfunctional Parsi family. Dinshaw Sethna is a retired sculptor and lives with his wife Katy in Panchgani hills in a dilapidated, rundown house. Back in Mumbai his brother, Farokh lives with his wife Tina and their father. Cyrus is not related to any of them, but out of the blue turns up at Dinshaw's hou! se in Panchgani. He wants to be an assistant to Dinshaw, he wants to learn sculpting and pottery and ends up staying on for a year with the Sethna's in Panchgani. During this time there seems to be an affair going on between Katy and Cyrus. During his stay many clandestine activities involving Cyrus takes place. He receives some money for an undisclosed reason and he is shown working in a lab on something secret. Next Cyrus adopts the home of Farokh Sethna in Mumbai. They live in a typical Parsi colony in Mumbai. Their father lives in a small room in their apartment, but his son Farokh does not treat him well. Cyrus befriends their father. However, Farokh dislikes this man instantly and does not trust him. Also simultaneously, Katy keeps getting some mysterious calls from Mumbai. Tina, Farokh's wife befriends a cop, Lovely. As the story unfolds, one can see that there is a serious underlying problem with each of these seemingly ordinary characters. Everyone in the Sethna ho! usehold has their own personal agenda and tries to make use of! Cyrus. Cyrus too has a strange, dark and foreboding side to him. As the plot unfurls we get to see the morbid, queer and distasteful side to each of these characters.In a "bouncy Bollywood meets Hollywood romantic comedy" (BBC Films), Ali Larter stars as feisty B-list actress Marigold Lexton, who, stranded and broke in Goa, India, after financing flops on her low-budget film, lands a role in a musical to pay her way home. Eager to prove herself, she seeks famed choreographer Prem Rajput's (Bollywood superstar Salman Khan) guidance, and a whirlwind romance begins...until Marigold discovers Prem holds a powerful, inescapable past--and a future that holds no place for her.

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Pet Sematary Poster 27x40 Dale Midkiff Fred Gwynne Denise Crosby

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Pet Sematary Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

Murder is the name of the game. Two rival "families" are at war for control of the lucrative prostitution and drug trade, killing anyone in their way. When an innocent young woman is murdered by one of the "families," her boyfriend comes looking for answers. With the help of a beautiful prostitute, he discovers the truth and sets out on a path of revenge... Denise Crosby, Franco Columbo, Van Quattro, Rena Niehaus, Traci Lords, Elizabeth KaitanDenise Crosby pictorial, Don King & Terri Garr interviewsPet Sematary reproduction poster print

Pop Culture Graphics,! Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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The Painted Veil

• Based on theic novel by W. Somerset Maugham, "The Painted Veil" is a love story set in the 1920s that tells the story of a young English couple, Walter, a middle doctor and Kitty, an upper-class woman, who get married for the wrong reasons and relocate to Shanghai, where she falls in love with someone else. When he uncovers her infidelity, in an act of vengeance, he accepts a job in a remote villa

OUTSIDER - DVD MovieFrom the director of The Bourne Identity comes this riveting thriller inspired by the experiences of real-life CIA officer Valerie Plame (Academy Award® nominee Naomi Watts). When Plame's retired ambassador husband Joe Wilson (played by Academy Award® winner Sean Penn) writes a newspaper article challenging the basis for the U.S. war on Iraq, the White House leaks Plame s undercover status leaving her international contacts vulnerable, her career in shambles and her life in dan! ger. Crackling with sharp dialogue, gripping intrigue and heart-pounding suspense, Fair Game is the adventure that s so unbelievable, it can only be realThe skullduggery surrounding the Valerie Plame affair is already the stuff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing piece of Beltway intrigue. Instead, Fair Game steers in the dir! ection of domestic melodrama, as the marriage between Plame an! d Wilson is severely tested by the unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly suggests the vanity of a longtime cocktail-party maven), while Watts, though quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonFrom writer-director Rodrigo Garcia (TV'S Big Love, Nine Lives) and executive producer Alejandro Gonzalez Inarritu (Babel) comes the moving story of three women and the po! wer of the unbreakable bond between mother and child. Three women's lives share a common core: the have all been profoundly affected by adoption. Karen (Annette Bening) placed a baby for adoption at age 14 and has been haunted ever since by the daughter she never knew. Elizabeth (Naomi Watts) grew up as an adopted child; she's a bright and ambitious lawyer, but a flinty loner in her personal life. Lucy (Kerry Washington) and her husband are just embarking on the adoption odyssey, hoping for the opportunity to become parents.Nine Lives director Rodrigo García explores the maternal instinct in Mother and Child through three disparate L.A. women: Karen (Annette Bening), a physical therapist, cares for her ailing mother; Elizabeth (Naomi Watts) works as a high-powered attorney; and Lucy (Kerry Washington), a bakery owner, plans to adopt (only Lucy has a spouse). An opening sequence reveals that Karen, who became pregnant at 14, gave Elizabeth up for adoption. Tho! ugh the daughter has no desire to track down the mother, Karen! has bee n mourning her loss for decades, never working up the nerve to take the next step. All three turn to the same adoption agency (Cherry Jones, who donned a nun's habit for Broadway's Doubt, plays Sister Joanne). When Karen yields to the advances of a kindly divorcé (Jimmy Smits), and Elizabeth, who's been sleeping with her boss (Samuel L. Jackson) and her married neighbor (Marc Blucas), finds herself with child, their feelings of anger and resentment start to melt. Lucy, meanwhile, has been meeting with a prickly expectant mother (Half Nelson's Shareeka Epps) who may hold the key to her happiness--assuming that a baby will solve all life's problems. García clearly venerates motherhood, but he doesn't let any of his characters off the hook: Karen can be cruel, Elizabeth can be cold, and Lucy can be whiny, but they overcome their lesser natures. There are a few missteps, like a soft-focus montage toward the end, but García manages a sprawling cast with finesse, ! and his gifted leads have rarely been better. --Kathleen C. FennessyThe emotionally and physically charged lives of three people, a college professor (Sean Penn), an ex-con (Benicio Del Toro) and a young mother with a reckless past (Naomi Watts), collide unexpectedly in this gripping suspense thriller.

Fate brought them together. Now vengeance will take them to the heights of love, the depths of revenge and the promise of redemption. Sean Penn, Benicio Del Toro and Naomi Watts give the finest performances of their careers in the film that is "tantalizingly alive!" - Owen Gleiberman, Entertainment WeeklySean Penn and Benecio Del Toro, two of the most gripping actors around, play wildly different men linked through a grieving woman (Naomi Watts, Mulholland Drive, The Ring) in 21 Grams. Del Toro (Traffic, The Usual Suspects) delves deep into the role of an ex-con turned born-again Christian, a deeply conflicted man struggling t! o set right a terrible accident, even at the expense of his fa! mily. Pe nn (Mystic River, Dead Man Walking) captures a cynical, philandering professor in dire need of a heart transplant, which he gets from the death of Watts' husband. 21 Grams slips back in forth in time, creating an intricate emotional web out of the past and the present that slowly draws these three together; the result is remarkably fluid and compelling. The movie overreaches for metaphors towards the end, but that doesn't erase the power of the deeply felt performances. --Bret FetzerBased on the classic novel by W. Somerset Maugham, "The Painted Veil" is a love story set in the 1920s that tells the story of a young English couple, Walter, a middle class doctor and Kitty, an upper-class woman, who get married for the wrong reasons and relocate to Shanghai, where she falls in love with someone else. When he uncovers her infidelity, in an act of vengeance, he accepts a job in a remote village in China ravaged by a deadly epidemic, and takes her along! . Their journey brings meaning to their relationship and gives them purpose in one of the most remote and beautiful places on earth.Produced by Edward Norton and Naomi Watts, The Painted Veil works well as a movie--even better as an actor's showcase. The year is 1925. When her domineering mother pressures her to marry, Kitty (Watts) settles for shy bacteriologist Walter (Norton). Then Walter is transferred from London to Shanghai and the lonely and bored Kitty drifts into an affair with married diplomat Charlie (Liev Schreiber). When Walter finds out, he makes a startling proposition: either Kitty accompanies him to the cholera-infested countryside or he'll divorce her. With no other prospects, she comes along on what looks like a double-suicide mission. Based on the novel by W. Somerset Maugham, The Painted Veil was adapted by Philadelphia's Ron Nyswaner (who knows a little something about infectious diseases). As two previous versions made little impa! ct--despite Garbo's presence in the 1934 melodrama--John Curra! n's film is sure to stand as definitive. Interestingly, Norton, who studied Chinese history at Yale, chose Watts as his co-star, while Watts chose Curran, for whom she appeared in 2004's underrated We Don't Live Here Anymore. Filmed on location, the handsome production is, in many respects, just as old-fashioned as its source material--sex is merely suggested and Kitty is shocked that their English neighbor (Toby Jones) has a Chinese lover--but the ending packs a feminist twist. Mostly though, The Painted Veil is about the acting, and Watts and Norton, along with Diana Rigg as a disillusioned Mother Superior, have rarely been better. --Kathleen C. Fennessy

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Spartacus: Blood and Sand - The Complete First Season

• SPARTACUS: BLOOD AND SAND: 1ST SEASON (DVD MOVIE)

DOUBLE DARE is a double-barreled, action-packed documentary about the struggles of two stuntwomen in male-dominated Tinsel town to stay working, stay thin, and stay sane against the backdrops of Xena: Warrior Princess, Wonder Woman, and Quentin Tarantino’s Kill Bill.The House of Batiatus has towered above the city of Capua for many years. Spartacus: Gods of the Arena will explore its deadly history before the arrival of Spartacus, and the death he carried with him. Loyalties will be tested, lives shattered, and battles waged in this thrilling prequel to Spartacus: Blood and Sand.The title is misleading--there is no Spartacus to be found here--but little matter, as Gods of the Arena is a prime example of making lemonade from lemons. Faced with the unavailability of Andy Whitfield, star of Spartacus: Blood and Sand,! due to a recurrence of cancer, the folks at Starz chose to go ahead without him and create a prequel, a resourceful way of buying some time until a new Spartacus could be found while employing several actors already under contract. The focus throughout these six episodes is on the house of Batiatus. It is there that gladiators hone their skills as they prepare for glory and/or death in the arena under the evil eye of Quintus Batiatus (John Hannah), whom Blood and Sand viewers will recognize as the principal villain of that series. The younger Batiatus, already blindly ambitious, wants to make his mark in the gladiator biz, aided by his sexy, scheming wife, Lucretia (Lucy Lawless), and her licentious friend Gaia (Jaime Murray)--and they have just the warrior to do it with in Gannicus (Dustin Clare), a preening stud described by one show exec as "Han Solo meets Achilles." There are, of course, numerous obstacles, ranging from Batiatus's own father to various rival gla! diatorial operations. But really, who cares about plotting whe! n a show has as much sex and violence, usually directly juxtaposed, as this one? True to the Blood and Sand precedent, every episode offers a steady parade of gratuitous, risibly over-the-top beheadings and other mayhem, much of it lovingly shot in slow motion, along with ample nudity (some of it full-frontal) and sex (all of it soft-core). With drugs, torture, and constant profanity also in the mix (who knew the ancient Romans dropped so many F-bombs?), this is definitely not a program for the young and impressionable. Nor is it one that's big on nuance; almost without exception, Batiatus and his ilk are depicted as frivolous, depraved, and conniving, while the gladiators and slaves are lowly but noble (not to mention as gloriously muscled and sweaty as your average Chippendales dancer). But this isn't a documentary--it's entertainment, and on that level, Gods of the Arena totally works. --Sam GrahamBetrayed by the Romans. Forced into slavery. Reborn as a Gladi! ator. The classic tale of the Republic’s most infamous rebel comes alive in the graphic and visceral new series, Spartacus: Blood and Sand. Torn from his homeland and the woman he loves, Spartacus is condemned to the brutal world of the arena where blood and death are primetime entertainment. But not all battles are fought upon the sands. Treachery, corruption, and the allure of sensual pleasures will constantly test Spartacus. To survive, he must become more than a man. More than a gladiator. He must become a legend.The "sword and sandals" genre isn't exactly known for its subtlety and restraint, but even by those standards, Spartacus: Blood and Sand is deliriously, delightfully over the top. Viewers familiar with the 1960 film starring Kirk Douglas and directed by Stanley Kubrick, the best-known version of the Spartacus tale, will recognize the basic outline of the story: a Thracian warrior with a beautiful, loving wife is betrayed by his Roman "allies" ! and forced into slavery, whereupon he distinguishes himself as! a gladi ator nonpareil and, after enduring countless indignities, leads his brethren and others in a rebellion against their oppressors. But there's a lot more Caligula than Kubrick in the 13 first-season episodes (each a bit less than an hour long) of this Starz television series, which stars Andy Whitfield in the title role and also features Lucy Lawless (Xena: Warrior Princess) as the wicked wife of Spartacus's owner. The fight scenes are highly stylized (the entire production seems to have taken a cue from the surreal, painterly look of 300) but extraordinarily brutal, featuring multiple dismemberments and decapitations amidst seas of slow-motion, CGI-generated blood; a gladiatorial battle in episode 5 pitting Spartacus and his rival-turned-ally Crixus (Manu Bennett) against a monster named Theokoles is definitely not for the squeamish, but that's only one of many such scenes. There's also ample sex and nudity, as the couplings involving various studly gladi! ators and lustful Roman noblewomen are like salacious combat between Chippendales dancers and Victoria's Secret models. Meanwhile, the personal relationships are the stuff of soap operas, with the Romans in particular depicted as relentlessly decadent, duplicitous, and power-hungry.

If this all sounds outrageously entertaining, it is, though perhaps not for everyone. And although the future of the show (which was executive produced by Spider-Man director Sam Raimi) is in doubt due to Whitfield's ongoing battle with cancer, we'll always have this season to revel in. Bonus material in the four-disc set includes audio commentary on a variety of episodes and a batch of featurettes, most prominently a 15-minute "making of" documentary. --Sam Graham

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The Cutting Edge: Going for the Gold Movie Poster (11 x 17 Inches - 28cm x 44cm) (2006) Turkish Style A -(Ye-ryeon Cha)(Ok-bin Kim)(Seo-hyeong Kim)(Hyeon-kyeong Lim)(Eun-kyeong Na)(Ji-hye Seo)

• The Cutting Edge: Going for the Gold Poster (11 x 17 Inches - 28cm x 44cm) Turkish Style A
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

The Cutting Edge: Going for the Gold Poster (11 x 17 Inches - 28cm x 44cm) (2006) Turkish Style A reproduction poster print

CAST: Ye-ryeon Cha,Ok-bin Kim,Seo-hyeong Kim,Hyeon-kyeong Lim,Eun-kyeong Na,Ji-hye Seo; DIRECTED BY: Ik-hwan Choe;

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De Taali (Dvd) Riteish Deshmukh, Aftab / Rimi Sen /Ayesha Takia

• motion pictures. dvds.
• english / arabic subtitles.
• Dolby Digital 5.1
• dvd- 9

Starring: ABHAY DEOL, AYESHA TAKIA

Synopsis:

Everyone wants Viren to marry Aditi, but he is secretly engaged to Karen, a Catholic girl. Luckily for him, Aditi agrees that the marriage will not go ahead, but they continue to meet and, with no strings attached, friendship turns into something more. However by this time his family has agreed to accept Karen as their daughter-in-law. Now Viren is trapped in his own plan and Aditi will have to go through desperation, guilt and passion to come to the conclusion of their story. SOCHA NA THA is the story of a boy who runs away to marry the girl who everyone was forcing him to get married to.

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Salaam-e-Ish! q is the story of 6 groups of people, from different parts of the world, from different walks of life, ignorant about each other's existence, but who end up being brought together by destiny, fate and LOVE...Romantic Comedy

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