Saturday, January 7, 2012

Quirky BND-1-CW1 Bandits All-Purpose Rubber Bands with Hooks (10-pack)

  • Fastening up pens or drawing supplies
  • Suspending excess cords from shelving
  • Hanging a bottle from a baby stroller
  • Hanging sunglasses from a rearview mirror
  • Tying up jewelry
Escaped prisoners kidnap bank managers, spend the evening with their families and then go to the bank together for the money in the morning.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 3-JUN-2003
Media Type: DVDChemistry and quirkiness--and a stellar cast--help make Barry Levinson's Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, ! son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by Twin Peaks alumnus Harley Peyton, Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpected tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives Bandits the extra kick it needs. --Jeff ShannonFour tough women in a German penitentiary join forces to form a rock band. When administrators take them to perform at a policeman's ball, the prisoners escape, kidnapping a convenient boy-toy hostage (Werner Schreyer), along the way. Their band, Bandits, becomes a national sensation as the women continue to evade the police. The movie is ! a wild ride, with quite a respectable score of rock songs--som! e catchy , some haunting--composed and performed by Bandits members themselves. All are sung in English (which seems to be the universal language of rock & roll). But although the picture is a lot of fun, it's no Spice World; there's a harder edge, a deeper agenda here. These women were all prisoners for a reason. Each fugitive's story is gradually revealed as the plot progresses. Luna (sultry Jasmin Tabatabai), the lead singer and guitarist, is a loose canon with a real attitude problem. And she likes to rob banks. Emma (Katja Riemann), the brains of the group, had a successful jazz career in America before her abusive boyfriend drove her over the edge. Marie (Jutta Hoffmann), the band's middle-aged keyboard player, is suicidal: something to do with her involvement in her husband's death. Angel (lovely Nicolette Krebitz), is the team's weak link; she can't be trusted. As the Bandits pull off each increasingly improbable narrow escape, the film takes on the radiance of m! yth, ascending ultimately to an apocalyptic finale. --Laura MirskyBack in print, the groundbreaking classic on robber-rebels from "the best known living historian in the world" (The Times [London]). First published in 1969, the now-classic Bandits inspired a whole new field of historical study and brought its author popular acclaim. Bandits transcend the label of criminals; they are robbers and outlaws elevated to the status of avengers and champions of social justice. Some, like Robin Hood, Rob Roy, and Jesse James, are famous throughout the world, the stuff of story and myth. Others, from Balkan haiduks and Indian dacoits to Brazilian congaceiros, are known only to their own countries' people. In his celebrated study of these fascinating figures, now updated with a new introduction, Eric Hobsbawm, "one of the few genuinely great historians of our century," according to the New Republic, spans four hundred years and four con! tinents, setting these folk heroes against the ballads, legend! s, and f ilms they have inspired. The result is "a dazzling historical squib, fizzing with ideas and strange stories" (The Guardian).Chemistry and quirkiness--and a stellar cast--help make Barry Levinson's Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by Twin Peaks alumnus Harley Peyton, Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpec! ted tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives Bandits the extra kick it needs. --Jeff Shannon
When the sun has gone down and the town has gone to sleep, the racoon bandits prowl through the night. With masks parmanently in play,
They sneak and they creep.
Doing just what they please.
The thieves snatch, run, and escape--always careful not to get caught.
Get ready to tear up the highway with the Bandit (Burt Reynolds), a fun-loving, fast-talking trucker who takes on his craziest haul yet - delivering 400 cases of beer from Texarkana to Atlanta in just 28 hours. With Sheriff Buford T. Justice (Jackie Gleason) hot on his trail and eager to teach him some respect for the law, the Bandit joins forces with good ol' boy, Cledus (Jerry Reed) and runaway bride Carrie (Sally Field). Gear up for huge l! aughs, pedal-to-the-metal action, and some of the wildest car ! crashes ever filmed! Starring: Burt Reynolds, Jackie Gleason, Sally Field, Jerry Reed, Mike Henry, Paul Williams, Pat McCormick Directed by: Hal NeedhamIt's easy to assume this is just another dumb redneck comedy from Burt Reynolds's years of underachievement. But it's not bad as a dumb redneck comedy at all. Directed by career stuntman Hal Needham, Smokey and the Bandit is just a goofy chase starring a bunch of Reynolds's Hollywood cronies. New to the job as film boss, Needham brings a silly but energized sensibility to the production and an action man's need to see things moving. But he also has a distinctive feeling for relationships, and he's good with a joke. Put all that together, and Smokey is, at the very least (and unlike its sequels), a simple and original pleasure. --Tom Keogh Young Kevins daydreams burst into astonishing and hilarious life when a band of time-traveling little men come crashing through his bedroom wardrobe and carry him off on an un! believable crime spree, weaving through the greatest and strangest moments of history. The pint-sized plunderers filch from a neurotic Napoleon (Ian Holm), a dim-witted Robin Hood (John Cleese) and a heroic King Agamemnon (Sean Connery), leading to a showdown with the dark forces of Evil (David Warner)...all while keeping just one precarious step ahead of the wrath of The Supreme Being himself!Producer/Director/Co-writer Terry Gilliam (Fear and Loathing in Las Vegas, Brazil) teams with many of his comic-genius cohorts from Monty Python to bring this laugh-out-loud modern fairy tale-adventure to life.Bandits Rubber Bands with HooksBandits are rubber bands, with hooks. Yup, it's really that simple.

The Baby-Sitters Club #3: The Truth About Stacey

  • ISBN13: 9780545174770
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The first of the new Collector's Club Editions features a new logo, bright new cover, and fill-in pages to personalize as Kristy comes up with the idea for the Baby-sitter's Club with friends Claudia, Stacey, and Mary Anne. It all began with a great idea ... and the inspiring original story of the Baby-sitters Club is back! Kristy Thomas's brilliant business plan gets off to a great start with the help of Claudia Kishi (vice-president), Mary Anne Spier (secretary), and Stacey McGill (treasurer).


Amazon Exclusive Inteview with Author Ann M. Martin

Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?

Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, “"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who haven’t changed a bit.

Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the series was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?

Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary An! ne enjoys more solitary pursuits such as reading and needlewor! k. My fa vorite character, however, is Kristy. I think she's my alter ego.

Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?

Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.

Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particularly fond of and why?

Martin: My favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudia’s grandmother. This book was written sh! ortly after my own grandmother died. My other favorite BSC books include “Kristy and the Secret of Susan,” in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.

Q: Why do you think that the series is so well-loved and has endured over so many years?

Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby! -sitting business. They are entrepreneurial, independent, crea! tive, an d confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.

Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?

Martin: I was nervous that summer because in the fall I would be going to a new school â€" the junior high (this was in the time before middle schools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May! , New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.

Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ€"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?

Martin:  One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relationship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could! unfold in the later books. The same applied to Stacey. Her re! asons fo r moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â€" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.

Q:
Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?

Martin: The most memorable are stories of girls who have written to me and told me that I̢۪ve made an impact on their lives, that The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. I̢۪ve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entre! preneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.

Q: There̢۪s been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?

Martin:  I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. It’s thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!



Friday, January 6, 2012

Civil Brand

  • DVD Details: Actors: LisaRaye, N'Bushe Wright, Mos Def, Monica Calhoun, Clifton Powell
  • Directors: Neema Barnette
  • Format: Closed-captioned, Color, Dolby, DVD, Subtitled, NTSC Region 1 (U.S. and Canada only)
  • Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: January 27, 2004; Run Time: 95 minutes
CIVIL BRAND - DVD Movie

Monster Rock Instrument Cable - 21 Feet - Angled to Straight 1/4-Inch plug

  • 95% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution.
  • IsoTec® vibration isolation technology further reduces handling noise.
  • Extra-flexible Duraflex® outer jacket for superior reliability and cut resistance.
  • 24k 1/4" gold contact connectors with collar strain relief are durable and corrosion resistant.
  • Multiple Time Correct® windings phase align signal for natural reproduction of midrange frequencies.
Get on the bio-fueled bus with actor and activist Woody Harrelson and his band of "Merry Hempsters" as they embark on a 1,300-mile road trip from Seattle to Santa Barbara to promote environmental awareness and "Simple Organic Living." Pop and counter-culture documentarian Ron Mann (Grass, Comic Book Confidential, Twist) chronicles every leg of Harrelson̢۪s journey, from college campus appe! arances and encounters with curious onlookers, to a visit with 1960s icon Ken Kesey. With his fellow travelers, including one confessed junk food addict, Harrelson is determined to change hearts and minds, one hemp burger and sweet avocado chocolate mousse pie at a time. Featuring the music of Natalie Merchant, Bob Weir, Anthony Kiedis and Dave Matthews. "It̢۪s all good, dude."In Natural Born Killers, Woody Harrelson played a mass murderer on a road trip killing spree. In Go Further, Harrelson has returned to the road, this time as himself, and this time he̢۪s out to save the earth. The film documents a trip down the Pacific coast Harrelson and assorted friends took in the summer of 2001 in a bio-diesel and hemp oil-fueled bus. Along the way they tackled various stretches by bike, did a lot of yoga, spoke in front of college crowds about environmental awareness, ate avocado-based delicacies prepared by the on-board raw foods chef, and encountered rock stars ! like Bob Weir, Natalie Merchant, and Anthony Kiedis. Your run ! of the m ill road trip, in other words. Harrelson̢۪s buddy, the junk food addict Steve Clark emerges as the star, if stardom means the ability to expound on the evils of non-organic milk at length. Herein lies the conundrum. For all its earnestness, or maybe because of it, Go Further drags. It̢۪s a movie with its heart in the right place, but that seems unwilling to preach to anyone outside the choir. The best bits are those in which Harrelson and the crew encounter folks who don't share their point of view--inhalant-addicted teens in Oregon, small town folks who sneeringly refer to Harrelson as "Woody Allen." Opportunities for confrontation are eschewed lest anyone's vibe gets harshed. One almost wishes Michael Moore had been hitchhiking along US Route 1 that summer. --Ryan BoudinotActor Woody Harrelson, along with his friends from the 2003 Toronto Film Festival hit, Go Further, directed by Ron Mann, encourages people to "walk on the earth with a lighter footprint" i! n How To Go Further: A Guide to Simple Organic Living.

Covering a wide range of topicsâ€"such as organic food, alternative energy, yoga, and political activismâ€"the book has its roots in 2001's "Simple Organic Living (SOL) Tour." The tour saw Woody and his companionsâ€"including a yoga teacher, a raw food chef, and a confessed "junk food junkie"â€"biking down the Pacific coast and talking to people about how to lead a happier, healthier life while using less of the world's resources.

The book also features writing from some of the tour's other participants, as well as from well-known activists such as John Schaeffer, founder and president of Real Goods, a company devoted to creating alternative energy options, and Howard "Twilly" Cannon, former skipper of Greenpeace's Rainbow Warrior.Do you dread opening bills and statements? Do you feel like your debts are spiralling out of control? Do you wish you had more money left at the end of the month?'Spendsmart' aut! hors and money experts Benjamin Fry and Jay Hunt take a unique! and hol istic approach to helping you deal with all your financial worries. Firstly, Benjamin examines the real reasons behind your overspending, so that you can understand how to change, and then Jay provides you with practical and realistic solutions for spending less.By following their proven 5-step plan, you will be able to identify your debts, learn how to live on a budget without depriving yourself and apply their strategies to the way you continue to spend money in the future. Packed with budgeting suggestions, helpful questionnaires, realistic tips, and fun ideas, 'Spendsmart' is a must-read for anyone who wants to make their money go further.Do you dread opening bills and statements? Do you feel like your debts are spiralling out of control? Do you wish you had more money left at the end of the month?'Spendsmart' authors and money experts Benjamin Fry and Jay Hunt take a unique and holistic approach to helping you deal with all your financial worries. Firstly, Benjamin exam! ines the real reasons behind your overspending, so that you can understand how to change, and then Jay provides you with practical and realistic solutions for spending less.By following their proven 5-step plan, you will be able to identify your debts, learn how to live on a budget without depriving yourself and apply their strategies to the way you continue to spend money in the future. Packed with budgeting suggestions, helpful questionnaires, realistic tips, and fun ideas, 'Spendsmart' is a must-read for anyone who wants to make their money go further.Monster Rock Cable features patented technologies help you deliver the power and full impact of your tone.Unlike ordinary cable, Monster Rock uses patented technologies to accent the raw power of your sound so it cuts through the mix. Monster's advanced coaxial design preserves fast transients, clean highs and vivid harmonics while patented multiple gauge wire networks enhance your guitar's sonic bite. A solid core center c! onductor provides tighter bass response, plus an extra-dense b! raided s hield and carbon-infused dielectric minimize interference and hum.

Tuesday, January 3, 2012

Big Little Felt Universe: Sew It, Stuff It, Squeeze It, Fun!

  • LB-59675
  • 9781600596759
  • Brand New Item / Unopened Product
  • Sterling Publishing
The Big Squeeze takes a fresh, probing, and often shocking look at the stresses and strains faced by tens of millions of American workers as wages have stagnated, health and pension benefits have grown stingier, and job security has shriveled.

Going behind the scenes, Steven Greenhouse tells the stories of software engineers in Seattle, hotel housekeepers in Chicago, call center workers in New York, and janitors in Houston, as he explores why, in the world̢۪s most affluent nation, so many corporations are intent on squeezing their workers dry. We meet all kinds of workers: white collar and blue collar, high tech and low tech, middle income and low income; employees who stock shelves during a hurricane while locked inside their store, get fired after suffering debilitating injuri! es on the job, face egregious sexual harassment, and get laid off when their companies move high-tech operations abroad. We also meet young workers having a hard time starting out and seventy-year-old workers with too little money saved up to retire.

The book explains how economic, business, political, and social trendsâ€"among them globalization, the influx of immigrants, and the Wal-Mart effectâ€"have fueled the squeeze. We see how the social contract between employers and employees, guaranteeing steady work and good pensions, has eroded over the last three decades, damaged by massive layoffs of factory and office workers and Wall Street’s demands for ever-higher profits. In short, the postâ€"World War II social contract that helped build the world’s largest and most prosperous middle class has been replaced by a startling contradiction: corporate profits, economic growth, and worker productivity have grown strongly while worker pay has languished and Americans! face ever-greater pressures to work harder and longer.
Greenho use also examines companies that are generous to their workers and can serve as models for all of corporate America: Costco, Patagonia, and the casino-hotels of Las Vegas among them. Finally, he presents a series of pragmatic, ready-to-be-implemented suggestions on what government, business, and labor should do to alleviate the squeeze.

A balanced, consistently revealing exploration of a major American crisis.Sophomore Dudley, whose parents move three times a year, falls madly in love with the leading lady in the school production of "The Fantasticks," but she doesn't seem to know he's alive.2002 compilation includes for the initial pressing a bonus limited edition B-sides disc with 19 tracks, 'Suites From Five Strangers', 'Squabs On Forty Fab', 'Model', 'Spanish Guitar', 'Elephant Girl', 'Trust', 'Yap Yap Yap', 'Fortnight Saga', 'Wedding BeYour mother has a weekly doctor's appointment and depends on you to get her there. Your spouse, dissatisfied at work, brings al! l his troubles home. Your boss has given you a job to do and wants it done now. Your children want dinner, want a ride, want help with their homework. Welcome to THE BIG SQUEEZE....
Today two-income families are the norm, childbearing is often postponed into the thirties and forties, longevity is on the increase. The family circle can sometimes seem like a trap. You are in the middle, and the physical, emotional, and financial stresses can be overwhelming. Now, here's a compassionate, commonsense approach to avoiding the Big Squeeze. Offering practical solutions to specific crises, this unique and remarkably simple 8-STEP PROGRAM can help you:
Set your priorities and reduce your pressures
Balance your family's needs with your own
Communicate openly and delegate responsibilities among family members
Discover all the community resources that you and your family have
And much more!
"A PRACTICAL AND SENSITIVE GAME PLAN...Written in layman's language, w! ithout intimidating or wearisome professional jargon."
--We! st Hartf ord NewsWhy, in the world's most affluent nation, are so many corporations squeezing their employees dry? In this fresh, carefully researched book, New York Times reporter Steven Greenhouse explores the economic, political, and social trends that are transforming America's workplaces, including the decline of the social contract that created the world's largest middle class and guaranteed job security and good pensions. We meet all kinds of workersâ€"white-collar and blue-collar, high-tech and low-tech, middle-class and low-incomeâ€"as we see shocking examples of injustice, including employees who are locked in during a hurricane or fired after suffering debilitating, on-the-job injuries.

With pragmatic recommendations on what government, business and labor should do to alleviate the economic crunch, The Big Squeeze is a balanced, consistently revealing look at a major American crisis.


From the Trade Paperback edition.! Why, in the world's most affluent nation, are so many corporations squeezing their employees dry? In this fresh, carefully researched book, New York Times reporter Steven Greenhouse explores the economic, political, and social trends that are transforming America's workplaces, including the decline of the social contract that created the world's largest middle class and guaranteed job security and good pensions. We meet all kinds of workersâ€"white-collar and blue-collar, high-tech and low-tech, middle-class and low-incomeâ€"as we see shocking examples of injustice, including employees who are locked in during a hurricane or fired after suffering debilitating, on-the-job injuries.

With pragmatic recommendations on what government, business and labor should do to alleviate the economic crunch, The Big Squeeze is a balanced, consistently revealing look at a major American crisis.


From the Trade Paperback edition.
Enter t! he big, beautiful universe of crafting with felt, with this ir! resistib le collection featuring a super-cute Asian-inspired aesthetic.  Twelve Â"sets” include more than 70 projects, from fruits and a felt knife for Â"slicing” them to a show-stopping birthday cake with decorations and detachable candles. Hundreds of photos and full-size templates make the crafting easy. With so much imagination-generating power, this book will appeal to everyone!

 

Saturday, December 31, 2011

The Ultimate Ride: Shaun White

  • ULTIMATE RIDE-SHAUN WHITE (DVD MOVIE)
Follow five snowboarding icons (Shaun White, Hannah Teter, Terje Haakonsen, Shawn Farmer and Nick Perata) on this epic Alaskan journey as they ride the most challenging and dangerous mountains on the planet. Featuring some of the most jaw-dropping snowboard footage ever caught on film, this incredible motion picture tracks the rebellious, inspiring and sometimes controversial evolution of snowboarding from an underground American movement to a full-fledged global phenomenon.Talk about good timing (and shrewd marketing): the release of First Descent, a thrilling documentary about the snowboarding phenomenon, exactly coincided with the 2006 Winter Olympics, where some of the very same athletes featured in the film mined gold and glory on the slopes near Turin, Italy. But while Shaun White and Hannah Teeter both won gold medals in the halfpipe as the ! U.S. dominated the Olympic competition, those two young stars (along with three other snowboarding "legends") are seen in a far different environment in producer-directors Kevin Harrison and Kemp Curley's 111-minute film, tackling some dauntingly long, steep runs in the mountains of Valdez, Alaska, where avalanches, crevasses, and other hazards await as they search for "first descents" (i.e., places no snowboarder has been before) in that pristine, forbidding environment. As advertised, the footage is, well, awesome, as all five riders catch huge air on some of the gnarliest runs in the world; Norwegian Terje Haakonsen's final plunge from a 7,000 foot peak with a 60 degree drop must be seen to be believed. Elsewhere, First Descent chronicles the evolution of the snowboarding phenomenon, from its humble emergence in the 1970s, when the sport was derided by traditional skiers, to its extraordinary popularity in the '90s and beyond, when the X Games and Olympics telecas! ts brought it into living rooms across America, Europe, and Ja! pan. Pro files of the individual athletes are included as well, but it's the Alaska footage--where, in the words of 'boarder Shawn Farmer, they "pinned it to the wall and threw down"--that's the principal attraction here. Nearly an hour's worth of extra features will add to the appeal of the film, which features narration by former Black Flag-bearer Henry Rollins and music by Devo's Mark Mothersbaugh. --Sam GrahamFollow five snowboarding icons on this epic Alaskan journey as they ride the most challenging and dangerous mountains on the planet. Shaun White, Hannah Teter, Terje Haakonsen, Shawn Farmer and Nick PerataYou know Shaun White, the Olympic gold medalist. You may have watched him kill it at the X-games. But no one has ever witnessed "The Animal" unleashed into the remote mountains of Japan's backcountry. Thrust into unknown territory, fresh powder, and unpredictable circumstances, White reconnects with his snowboarding origins, reflecting on the wonders - and drags - of! being one of the world's most famous athletes at age 21.

Beerfest (Unrated Widescreen Edition)

  • After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!Running Time: 116 min. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 085391102076 UPC: 085391102076 Manufacturer No: 110207
Gamers, grannies and stoners unite! From Adam Sandler's Happy Madison Productions comes a raucously funny, "fish-out-of bongwater comedy" (Playboy) that'll have you rolling with laughter! Life is sweet for 35-year-old video game tester Alex (Allen Covert), until he's forced to move in with his overbearing grandmother Lilly (Doris Roberts) and her two roommates: oversexed Grace (Shirley Jones) and overmedicated Bea (Shirley Knight). To save face with his much younger co-workers and super-sexy new boss (Linda Cardellini), Alex brags about the "thr! ee hot babes" living with him, but soon that cat's out of the bag?and the real party at Grandma's house has just begun! If you love footie pajamas, techno-talk and karate-chopping chimps (and who doesn't?), grab your buds and watch Grandma's Boy!Gamers, grannies and stoners unite! From Adam Sandler's Happy Madison Productions comes a raucously funny, "fish-out-of bongwater comedy" (Playboy) that'll have you rolling with laughter! Life is sweet for 35-year-old video game tester Alex (Allen Covert), until he's forced to move in with his overbearing grandmother Lilly (Doris Roberts) and her two roommates: oversexed Grace (Shirley Jones) and overmedicated Bea (Shirley Knight). To save face with his much younger co-workers and super-sexy new boss (Linda Cardellini), Alex brags about the "three hot babes" living with him, but soon that cat's out of the bag and the real party at Grandma's house has just begun! If you love footie pajamas, techno-talk and karate-chopping chimps (and! who doesn't?), grab your buds and watch Grandma's Boy!SPECIAL! FEATURE S: - ORIGINAL THEATRICAL AND UNRATED FILM VERSIONS - AUDIO COMMENTARY - DELETED SCENES - AND MOREDisc 1: Dodgeball WS Disc 2: Grandma's Boy WS Disc 3: Freddy Got Fingered WSAfter a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette
Interviews
Other

While it didn't quite spark a trend in chug-a-lug brew comedies, Beerfest is the kind of zany time-killer that's a lot funnier if you're within reach of a six-pack and Doritos. In other words, this is yet another low-brow laff-a-thon from the Broken Lizard gang (Super Troopers) that's likely to draw a bigger audience on DVD than it did in theaters, especially since there's a lot of duds (and flat suds) to sit through while waiting for the next big beer-belly-laugh. It's the kind of movie that thinks masturbating frogs a! re funny (OK, you decide), while serving up a gang of guzzling Americans (the aforementioned Broken Lizard troupe, who also write this stuff with director Jay Chandrasekhar) who compete in an epic beer-drinking contest against the nefarious German challenger Baron Wolfgang Von Wolfhausen (played by German actor Jurgen Prochnow, whose starring role in Das Boot inspires one of this movie's better jokes). When it's not trying to top itself in terms of sheer stupidity and juvenile humor, Beerfest satisfies its target audience (basically, frat-rats and party animals) with some gratuitously bare-breasted babes, rampant consumption of alcohol, and the welcomed appearance of Cloris Leachman, who sort-of reprises her "Frau Blucher" persona from Young Frankenstein. So basically what you've got here is a dim-witted but energetic comedy called Beerfest that delivers exactly what you'd expect from a movie with that title. Who says truth in advertising is dead? --! Jeff Shannon

Friday, December 30, 2011

The Amitville Horror Movie Poster 2005

  • Size: 27 x 40 inches
  • Original Studio produced Video Release Poster
Bonus Disc - Amityville ConfidentialFrom Michael Bay, the producer of "The Texas Chainsaw Massacre," comes the true story of Amityville. In November 1974, a family of six was brutally murdered. Now, a year later, an unsuspecting young couple, George (Ryan Reynolds, "Blade: Trinity," "The In-Laws") and Kathy Lutz (Melissa George, TV's "Alias"), and their children move into the house that was the site of the horrific event and is now haunted by a murderous presence. What follows is 28 days of unimaginable terror. With demonic visions of the dead and relentless screams of terror, this is the haunted house story that isn't just a movie - it's real.Most horror movies establish an atmosphere of normalcy, which they gradually rupture with spooky or creepy or stomach-churning images. The Amityville Horror--a remake of! the 1979 movie about a possessed house that torments the family that moves into it--tosses normalcy out the window in the first five minutes, unleashing a nonstop barrage of unsettling camera angles, decaying wood and stained wallpaper, half-glimpsed shadows in motion, fast edits of grotesque ghosts, and dozens of other horror-movie devices. Whether you like the movie will depend on whether you like feeling slightly nauseated and cut off from any semblance of reality--for many people, that's why they go to horror movies. Others won't be able to suspend disbelief that anyone but an actor would spend the time necessary to develop Ryan Reynold's insanely buff physique, prominently displayed as he runs around wearing nothing but a pair of loose-fitting pajama bottoms. In addition to Reynolds (Van Wilder, Blade: Trinity), the movie also features Philip Baker Hall (Magnolia) and Melissa George (Down With Love). --Bret FetzerFrom Michael Bay, th! e producer of "The Texas Chainsaw Massacre," comes the true st! ory of A mityville. In November 1974, a family of six was brutally murdered. Now, a year later, an unsuspecting young couple, George (Ryan Reynolds, "Blade: Trinity," "TheMost horror movies establish an atmosphere of normalcy, which they gradually rupture with spooky or creepy or stomach-churning images. The Amityville Horror--a remake of the 1979 movie about a possessed house that torments the family that moves into it--tosses normalcy out the window in the first five minutes, unleashing a nonstop barrage of unsettling camera angles, decaying wood and stained wallpaper, half-glimpsed shadows in motion, fast edits of grotesque ghosts, and dozens of other horror-movie devices. Whether you like the movie will depend on whether you like feeling slightly nauseated and cut off from any semblance of reality--for many people, that's why they go to horror movies. Others won't be able to suspend disbelief that anyone but an actor would spend the time necessary to develop Ryan Reynold! 's insanely buff physique, prominently displayed as he runs around wearing nothing but a pair of loose-fitting pajama bottoms. In addition to Reynolds (Van Wilder, Blade: Trinity), the movie also features Philip Baker Hall (Magnolia) and Melissa George (Down With Love). --Bret FetzerAMITYVILLE HORROR 79/AMITYVILLE HORRO - DVD MovieFrom Michael Bay, the producer of The Texas Chainsaw Massacre, comes the true story of Amityville. In November 1974, a family of six was brutally murdered. Now, a year later, an unsuspecting young couple, George (Ryan Reynolds, Blade: Trinity, The In-Laws) and Kathy Lutz (Melissa George, TV's Alias), and their children move into the house that was the site of the horrific event and is now haunted by a murderous presence. What follows is 28 days of unimaginable terror. With demonic visions of the dead and relentless screams of terror, this is the haunted house story that isn't just a mo! vie - it's real. Most horror movies establish an atmosphere of! normalc y, which they gradually rupture with spooky or creepy or stomach-churning images. The Amityville Horror--a remake of the 1979 movie about a possessed house that torments the family that moves into it--tosses normalcy out the window in the first five minutes, unleashing a nonstop barrage of unsettling camera angles, decaying wood and stained wallpaper, half-glimpsed shadows in motion, fast edits of grotesque ghosts, and dozens of other horror-movie devices. Whether you like the movie will depend on whether you like feeling slightly nauseated and cut off from any semblance of reality--for many people, that's why they go to horror movies. Others won't be able to suspend disbelief that anyone but an actor would spend the time necessary to develop Ryan Reynold's insanely buff physique, prominently displayed as he runs around wearing nothing but a pair of loose-fitting pajama bottoms. In addition to Reynolds (Van Wilder, Blade: Trinity), the movie also feature! s Philip Baker Hall (Magnolia) and Melissa George (Down With Love). --Bret FetzerHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Platinum Dunes films.From Michael Bay, the producer of "The Texas Chainsaw Massacre," comes the true story of Amityville. In November 1974, a family of six was brutally murdered. Now, a year later, an unsuspecting young couple, George (Ryan Reynolds, "Blade: Trinity," "The In-Laws") and Kathy Lutz (Melissa George, TV's "Alias"), and their! children move into the house that was the site of the horrifi! c event and is now haunted by a murderous presence. What follows is 28 days of unimaginable terror. With demonic visions of the dead and relentless screams of terror, this is the haunted house story that isn't just a movie - it's real.Most horror movies establish an atmosphere of normalcy, which they gradually rupture with spooky or creepy or stomach-churning images. The Amityville Horror--a remake of the 1979 movie about a possessed house that torments the family that moves into it--tosses normalcy out the window in the first five minutes, unleashing a nonstop barrage of unsettling camera angles, decaying wood and stained wallpaper, half-glimpsed shadows in motion, fast edits of grotesque ghosts, and dozens of other horror-movie devices. Whether you like the movie will depend on whether you like feeling slightly nauseated and cut off from any semblance of reality--for many people, that's why they go to horror movies. Others won't be able to suspend disbelief that anyone but ! an actor would spend the time necessary to develop Ryan Reynold's insanely buff physique, prominently displayed as he runs around wearing nothing but a pair of loose-fitting pajama bottoms. In addition to Reynolds (Van Wilder, Blade: Trinity), the movie also features Philip Baker Hall (Magnolia) and Melissa George (Down With Love). --Bret FetzerTHE AMITYVILLE HORROR (2005) Movie Poster27" x 40" One Sheet RolledDouble-sidedAll Movie Poster Orders ship with at least one Free Random Movie Poster gift!

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