- Fastening up pens or drawing supplies
- Suspending excess cords from shelving
- Hanging a bottle from a baby stroller
- Hanging sunglasses from a rearview mirror
- Tying up jewelry
Escaped prisoners kidnap bank managers, spend the evening with their families and then go to the bank together for the money in the morning.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 3-JUN-2003
Media Type: DVDChemistry and quirkiness--and a stellar cast--help make Barry Levinson's
Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in
Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, ! son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by
Twin Peaks alumnus Harley Peyton,
Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpected tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives
Bandits the extra kick it needs.
--Jeff ShannonFour tough women in a German penitentiary join forces to form a rock band. When administrators take them to perform at a policeman's ball, the prisoners escape, kidnapping a convenient boy-toy hostage (Werner Schreyer), along the way. Their band, Bandits, becomes a national sensation as the women continue to evade the police. The movie is ! a wild ride, with quite a respectable score of rock songs--som! e catchy , some haunting--composed and performed by Bandits members themselves. All are sung in English (which seems to be the universal language of rock & roll). But although the picture is a lot of fun, it's no
Spice World; there's a harder edge, a deeper agenda here. These women were all prisoners for a reason. Each fugitive's story is gradually revealed as the plot progresses. Luna (sultry Jasmin Tabatabai), the lead singer and guitarist, is a loose canon with a real attitude problem. And she likes to rob banks. Emma (Katja Riemann), the brains of the group, had a successful jazz career in America before her abusive boyfriend drove her over the edge. Marie (Jutta Hoffmann), the band's middle-aged keyboard player, is suicidal: something to do with her involvement in her husband's death. Angel (lovely Nicolette Krebitz), is the team's weak link; she can't be trusted. As the Bandits pull off each increasingly improbable narrow escape, the film takes on the radiance of m! yth, ascending ultimately to an apocalyptic finale.
--Laura MirskyBack in print, the groundbreaking classic on robber-rebels from "the best known living historian in the world" (
The Times [London]). First published in 1969, the now-classic
Bandits inspired a whole new field of historical study and brought its author popular acclaim. Bandits transcend the label of criminals; they are robbers and outlaws elevated to the status of avengers and champions of social justice. Some, like Robin Hood, Rob Roy, and Jesse James, are famous throughout the world, the stuff of story and myth. Others, from Balkan
haiduks and Indian
dacoits to Brazilian
congaceiros, are known only to their own countries' people. In his celebrated study of these fascinating figures, now updated with a new introduction, Eric Hobsbawm, "one of the few genuinely great historians of our century," according to the
New Republic, spans four hundred years and four con! tinents, setting these folk heroes against the ballads, legend! s, and f ilms they have inspired. The result is "a dazzling historical squib, fizzing with ideas and strange stories" (
The Guardian).Chemistry and quirkiness--and a stellar cast--help make Barry Levinson's
Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in
Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by
Twin Peaks alumnus Harley Peyton,
Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpec! ted tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives
Bandits the extra kick it needs.
--Jeff ShannonWhen the sun has gone down and the town has gone to sleep, the racoon bandits prowl through the night. With masks parmanently in play,
They sneak and they creep.
Doing just what they please.
The thieves snatch, run, and escape--always careful not to get caught.
Get ready to tear up the highway with the Bandit (Burt Reynolds), a fun-loving, fast-talking trucker who takes on his craziest haul yet - delivering 400 cases of beer from Texarkana to Atlanta in just 28 hours. With Sheriff Buford T. Justice (Jackie Gleason) hot on his trail and eager to teach him some respect for the law, the Bandit joins forces with good ol' boy, Cledus (Jerry Reed) and runaway bride Carrie (Sally Field). Gear up for huge l! aughs, pedal-to-the-metal action, and some of the wildest car ! crashes ever filmed! Starring: Burt Reynolds, Jackie Gleason, Sally Field, Jerry Reed, Mike Henry, Paul Williams, Pat McCormick Directed by: Hal NeedhamIt's easy to assume this is just another dumb redneck comedy from Burt Reynolds's years of underachievement. But it's not bad as a dumb redneck comedy at all. Directed by career stuntman Hal Needham,
Smokey and the Bandit is just a goofy chase starring a bunch of Reynolds's Hollywood cronies. New to the job as film boss, Needham brings a silly but energized sensibility to the production and an action man's need to see things moving. But he also has a distinctive feeling for relationships, and he's good with a joke. Put all that together, and
Smokey is, at the very least (and unlike its sequels), a simple and original pleasure.
--Tom Keogh Young Kevins daydreams burst into astonishing and hilarious life when a band of time-traveling little men come crashing through his bedroom wardrobe and carry him off on an un! believable crime spree, weaving through the greatest and strangest moments of history. The pint-sized plunderers filch from a neurotic Napoleon (Ian Holm), a dim-witted Robin Hood (John Cleese) and a heroic King Agamemnon (Sean Connery), leading to a showdown with the dark forces of Evil (David Warner)...all while keeping just one precarious step ahead of the wrath of The Supreme Being himself!Producer/Director/Co-writer Terry Gilliam (Fear and Loathing in Las Vegas, Brazil) teams with many of his comic-genius cohorts from Monty Python to bring this laugh-out-loud modern fairy tale-adventure to life.Bandits Rubber Bands with HooksBandits are rubber bands, with hooks. Yup, it's really that simple.
3:48 AM
Blog Fasion
Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?
